Peter Pan, by J. M. Barrie
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Peter Pan, by J. M. Barrie
Free Ebook Online Peter Pan, by J. M. Barrie
J. M. Barrie’s classic children's story is reimagined in this delightful full-color deluxe edition filled with all-new illustrations and ten removable features specially designed by MinaLima, the award-winning design studio behind the graphics for the Harry Potter films.
For more than a century, the adventures of Peter Pan—the boy who can fly and never grows up—and Wendy Darling have captured the hearts of generations of readers. In this enchanting illustrated volume, the fantastical world of Neverland and its magical inhabitants, including the Lost Boys, Captain Hook, Tiger Lily, and the beloved Tinker Bell, are brought to life like never before.
Peter Pan is packed with a lush array of colorful illustrations and interactive removable features, including a detailed map of Neverland, a croc o’clock with hands you can rotate to tell time, Peter’s shadow, and more. Beautiful and captivating, filled with breathtaking artwork, this stunning book is sure to become a treasured keepsake for fans of all ages.
Peter Pan, by J. M. Barrie - Amazon Sales Rank: #1385713 in eBooks
- Published on: 2015-06-02
- Released on: 2015-06-02
- Format: Kindle eBook
Peter Pan, by J. M. Barrie Amazon.com Review "All children, except one, grow up." Thus begins a great classic of children's literature that we all remember as magical. What we tend to forget, because the tale of Peter Pan and Neverland has been so relentlessly boiled down, hashed up, and coated in saccharine, is that J.M. Barrie's original version is also witty, sophisticated, and delightfully odd. The Darling children, Wendy, John, and Michael, live a very proper middle-class life in Edwardian London, but they also happen to have a Newfoundland for a nurse. The text is full of such throwaway gems as "Mrs. Darling first heard of Peter Pan when she was tidying up her children's minds," and is peppered with deliberately obscure vocabulary including "embonpoint," "quietus," and "pluperfect." Lest we forget, it was written in 1904, a relatively innocent age in which a plot about abducted children must have seemed more safely fanciful. Also, perhaps, it was an age that expected more of its children's books, for Peter Pan has a suppleness, lightness, and intelligence that are "literary" in the best sense. In a typical exchange with the dastardly Captain Hook, Peter Pan describes himself as "youth... joy... a little bird that has broken out of the egg," and the author interjects: "This, of course, was nonsense; but it was proof to the unhappy Hook that Peter did not know in the least who or what he was, which is the very pinnacle of good form." A book for adult readers-aloud to revel in--and it just might teach young listeners to fly. (Ages 5 and older) --Richard Farr
From School Library Journal Grade 3-7-- A pleasure to view, read, and hold, this new edition of an old favorite deserves space in every collection. From jacket painting, to cover (with Tinker Bell embossed in gold), to endpapers (dark maps of Neverland), Gustafson's artwork opens doors to glimpses of old friends and to new interpretations. Fifty oil paintings reveal expressive, changing characters. Peter Pan is dewy-cheeked, spry, wicked. Maternal Wendy is tender, then stoic. Even Hook is at times downcast. The Indians, proud and handsome, avoid stereotype. Masterly composition and use of light create dramatic full-page illustrations, accompanied by cameos of ordinary objects (kite, bear, tea kettle). Compared to Hague's illustrations for Peter Pan (Holt, 1987), which were dark and surreal, these are light and vital. Handsome bookmaking, Barrie's text, and Gustafson's pictures combine to breathe new life into Peter Pan's old shadow. --Carolyn Noah, Central Mass. Regional Library System, Worcester, MACopyright 1992 Reed Business Information, Inc.
From Library Journal Austen's novels (e.g., Pride and Prejudice, Audio Reviews, LJ 11/1/92) have lately received so much well-deserved media attention that another version of her first novel, in yet another format, may appear redundant to persons not sufficiently acquainted with the author's charms. However, for her many admirers, both present and future, this new audiobook is a treasure, thanks to a superb reading by actress Susannah Harker. The talented narrator is an ideal interpreter of Austen's delightful paean to the virtue of sense as she traces the struggles of her young heroines to achieve happiness. Harker skillfully captures each character's personality through subtle inflection, and she keenly, yet unobtrusively, underscores the author's delicious irony. With a reading of such quality, the romantic predicaments of the Miss Dashwoods become all-absorbing and the hours fly by too quickly. Most highly recommended for all libraries.Sister M. Anna Falbo, Villa Maria Coll. Lib., Buffalo, N.Y.Copyright 1996 Reed Business Information, Inc.
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164 of 183 people found the following review helpful. A classic, when not denatured by Disney By A. Burke Yes, there is darkness in Peter Pan - and in Alice, too, and in The Wizard of Oz - and certainly in Felix Salton's Bambi. These books, while written for young people, and which may be described as fantasy, have real plots and real characters who are not perfect. Peter Pan is selfish and stubborn as well as charming because children are not angels - they are little humans. Alice is highly critical of the adults in her dream world - adults who act very arbitrarily and often foolishly, as adults often do. Bambi is about the effects of human cruelty on animals; it deals with death and pain. One of the indications that these are good books, and not merely children's books, is that they can be read at different stages of life with new layers of understanding. You don't have to outgrow them, and they are better than many a book written for adults. The 'real' Pan and Alice and Bambi may not be suitable for the very youngest children, but please don't deprive your children culturally by never giving them anything but Disney's cutesy interpretations. For one thing, Barrie and Salton and Carroll were great writers who used words beautifully and had insightand feeling. Children deserve art as much as adults.
66 of 72 people found the following review helpful. Peter Pan Review By Katherine Trimble Peter Pan is the timeless classic everyone has grown up to. It has been passed down from generation to generation but it all started with one man, J. M. Barrie. When anyone tells the story of Peter Pan most adults don't think it is suitable for them. They think that it is simply a children's story and always will be. However, Barrie made sure that this story would be appropriate for all ages. Some of the language might be a bit difficult for the youngest range but the context helps to figure out a funny word or two. It appeals to the older range because of the layers it conceals. Behind each game they play is a message. Hidden under each smile Wendy gives to Peter is her hidden kiss. However, this story relates mostly to teenagers as they are going through the stage of growing up. Just days before I read Peter Pan I thought of how nice it would be to be free of homework and school. I thought how wonderful it would be to grow up and be independent. After reading this story, and seeing it exactly how Barrie told it, I don't want to grow up as much as Peter Pan and Wendy don't want to. I first heard the story, from seeing the movie, at a very young age, probably around the time I was 2 or 3. Disney tried hard to incorporate everything from the book but they didn't get every meaning or all the symbolism. For example, Mrs. Darling and Wendy Darling both have a hidden kiss. This kiss is hidden under the right hand corner of their mouths and only their true love can find it. Because Mr. Darling can't find Mrs. Darling's kiss, perhaps Barrie is trying to say that although she loves Mr. Darling dearly, he isn't her true love. Barrie fills his book with the perfect amount of detail and color. Children don't get bored because there is too much and adults don't need any more. At one point in the story, Barrie writes about the adventures at the lagoon. "If you shut your eyes and are a lucky one, you may see at times a shapeless pool of lovely pale colours suspended in the darkness; then if you squeeze your eyes tighter, the pool begins to take shape, and the colours become so vivid that with another squeeze they must go on fire." It is work like this that captures the reader and makes them never put the book down. The action and the drama are another reason such a wide age range is attached to this story. The lost boys go on countless raids and enticing adventures that children can only dream about. The love story between Peter and Wendy thickens throughout the entire book and we don't know till the end whether the Darlings will return home to England or stay in Neverland forever. Barrie does such an incredible job with the characters I felt I had met each one personally. John and Michael are as adorable as ever, Captain Hook as evil, Tinkerbell as envious, Peter as cocky and Wendy as in love. Though the title expresses that the story is about Peter Pan, I think one of Barrie's hidden messages was that it was really Wendy's story. Peter Pan can meet many more pirates and have many more adventures but Wendy only had that one time with him. She could only be his mother, or possibly his only love, once in her life. She was supposed to go back to Neverland every spring to do Peter's spring cleaning but he forgot almost every year. Barrie might have been trying to show how forgetful little boys are. He also might have been trying to show Peter's denial that Wendy might grow up. If Peter didn't go back then Wendy might not grow up. If he didn't go back he wouldn't be reminded that he lost the love of his life. Barrie did a phenomenal job with this story. His ideas make you wonder why we have to grow up and why none of us have ever been able to see Tink's glow, outside of our dreams. This book is suitable for all ages and the only thing that could make it even better were if we could be in the story ourselves.
29 of 30 people found the following review helpful. "Peter Pan," a Child's Novel for Adults By Joseph A. Psarto "Peter Pan," or by its original title, "Peter and Wendy," when considered in its entirety is a grand read for an adult. The key to its enjoyment is the realization that all spoken and written words are metaphor. For even when words sit closely to reality they are not, and cannot be, the actual things they represent. They are signs! And sometimes they are signs of things not readily apparent and requiring work. Imagination is needed. And that is why all written words are fiction regardless of category, for even as they reach toward reality they are not themselves the same reality. It is a very interesting philosophical concept. The answer is found in Tolstoy's definition of art.J.M. Barrie uses his story to attack certain English pretensions and inane formalities at the beginning of the twentieth century, life by rote being one, but "Peter Pan" is primarily about the mind and world of a child. The adults in the story are childhood concepts, as are the animals, water, earth, weather and sky. Childhood has no chronological border even though concentrated at the beginning of our lives, for it is perfectly capable of coming back now and again. Mine does. I hope yours does too, for if childhood never comes back the result might be insanity. And if it never leaves that too might bring madness.I think that the most important lesson of "Peter Pan" is the final description of Captain Hook near the end of the story, not of his physicality, but of his character. It might very well be a reading child's first realization that we are good and we are bad, at the same time, every damn one of us, and that our sharing of such disparate qualities is cause for love and compassion."James Hook, thou not wholly unheroic figure, farewell."That night Peter cries in his sleep. Is he crying for Hook? I say yes, I hope so.Perhaps the book's second most important lesson is found in the last chapter's picture of time rolling on and on, children replacing adults replacing children, over and over, again and again. As Barrie writes it, "When Margaret grows up she will have a daughter, who is to be Peter's mother in turn; and so it will go on, so long as children are gay and innocent and heartless."Yes, "heartless," for that's just as much a part of being a child as the other two adjectives. "Peter Pan" is sprinkled with truths that are downplayed these days by too many adults trying like hell to avoid conflict. But children are too innocent for such tactics, for truth comes natural to them. Children are perfectly capable of creating their own self-esteem at the drop of a hat, or the tinkle of a faerie bell.-----Joseph A. Psarto, Westlake, Ohio
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